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What is the Pine Hills Culture
Program?
Community
Scholars Folklife Field School
A
Taste of Pine Hills Traditions: Exhibit
and Programming
The
Piney Woods Opry
in Mississippi:
A Live Radio
Show
Piney
Woods special |issue of Miissiippi Folklife
Piney
Woods Regional Folklife Survey
Piney
Woods Celebrations
Exhibit
Future
Projects
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Blues
harmonica player, R. L. House. Photo by Worth Long.
What
Is the Pine Hills Culture Program?
The Pine Hills Culture Program, formed
in 1996, is part of the University of Southern Mississippi's Center
for Oral History and Cultural Heritage. Its purpose is to document,
preserve, and present traditions and folk culture of the U.S.
South's pine hills (or piney woods) region; to build and maintain
a network of academics, public programmers, lay scholars, community
leaders, and folk artists; and to serve as a regional archive,
a place for exhibits, and an information clearinghouse. An important
part of its mission is helping communities to identify their own
traditions and integrate folklife into local projects, museums,
schools, festivals, and other public presentations.
The program is headed by a public sector
folklorist, Dr. Carolyn Ware. Our main office is in the Center
for Oral History and Cultural Heritage on the USM campus, but
we also lease offices, including programming and exhibit space,
at the Walthall Center in Hattiesburg's downtown historic district.
The Pine Hills Culture Program is funded
by the university and through grants from state and national agencies.
Major funders include the National Endowment for the Arts, the
Lila Wallace-Reader's Digest Community Folklife Program, and the
Mississippi Arts Commission, all of which have provided multi-year
grant support. We also have received generous project support
from the Mississippi Humanities Council, the Louisiana Division
of the Arts, and USM's Crosby Lecture Fund.
Community
Scholars Folklife Field School
The Pine Hills Culture Program got off
to a strong start with its first initiative, the Piney Woods Community
Scholars Project, in 1996. This project was designed to identify
and document tradition bearers and folk artists in Mississippi's
pine hills (or piney woods) region and present this research to
the public. We did this by offering ethnographic training to community
members, who then conducted discovery-level fieldwork in their
own communities. Many planned to apply this training to their
work in community museums, classrooms, or libraries.
Twenty-two community scholars from throughout
the pine hills region were selected to attend the field school,
which met in Hattiesburg over three weekends in June and July
of 1996. They were introduced to definitions of folklore and folklife,
an overview of piney woods history and culture, and the basic
techniques of oral history and folklife fieldwork. The scholars
then developed fieldwork projects in their own communities, interviewing
and photographing tradition bearers and community historians.
Five graduate students in anthropology and history also attended
the field school and developed fieldwork projects; in many cases,
they teamed up with community scholars with common research interests.
By September of 1996, community scholars
and graduate students had documented more than fifty individuals
in twenty-one of the region's counties. Traditions documented
include fiddling styles, gardening, logging, Fifth Sunday gospel
singing and dinner on the ground, traditional crafts, foodways,
folk medicine, architecture, storytelling, and community histories.
Photographs and taped interviews from project fieldwork formed
the beginning of the Pine Hills Culture Program's archives. You'll
find a list of these interviews on this web site under Pine
Hills Culture Program Interview Index.
Judges in chicken pie contest, Washington Parish
Fair.
Photo by Aimee Schmidt.
A Taste of Pine Hills
Traditions: Exhibit and Programming
From field school documentation, we developed
a traveling exhibit called A Taste of Pine Hills Traditions,
which visited nine sitesCprimarily public librariesCin south Mississippi
during 1997. In conjunction with the exhibit, we produced a series
of folk arts programs for the general public and schoolchildren.
More information on this exhibit, including text and a sample
photograph, is available under the heading A Taste of Pine Hills Traditions.
The
Piney Woods Opry in Mississippi: A Live Radio Show
We invited the founders of Abita Springs,
Louisiana's Piney Woods Opry (copyrighted name), a monthly
live radio show featuring early country music, to work with us
to create a one-time Mississippi version of the show. The Piney
Woods Opry in Mississippi took place on November 8, 1997 in
Hattiesburg's Walthall Center auditorium, coinciding with the
Walthall installation of A Taste of Pine Hills Traditions.
The show featured a wide range of traditional musicians from
south Mississippi: Roots Gospel Voices of Mississippi, early country
music singer Rick McWilliams (a great-nephew of the late Jimmie
Rodgers), bluegrass fiddler Jack Youngblood, banjo master Larry
Wallace, and old-time fiddler George Cecil McLeod.
The show was a great success, drawing a
capacity crowd of more than 220 people to the auditorium. It was
taped live and later broadcast on WUSM-FM and on PRM's Grassroots
show.
Musicians and audience members alike were
so enthusiastic that we are now working on creating a regular,
semi-annual live radio show of piney woods music. We recently
received a Mississippi Arts Commission grant in support of two
shows scheduled for the fall of 1999 and spring of 2000. Tentatively
titled Roots Reunion, the live show will be based in Hattiesburg
and will feature a variety of regional music styles such as blues,
gospel, bluegrass, old-time music, and early country music.

"The Piney Woods Opry in Mississippi."
Piney
Woods special issue of Mississippi Folklife
The final step of the community scholars
project was to put together a publication on Piney Woods folklife.
We teamed up with the Center for the Study of Southern Culture
at the University of Mississippi to create a special Piney Woods
issue of Mississippi Folklife in 1998. The 96-page issue
includes articles on the region's history, ox team driving, sawmill
traditions, folk gardening, music, folk medicine, catfish farming,
and vernacular architecture. A section called "Piney Woods
People" provides short profiles of some of the people and
traditions documented. The publication was distributed to regular
subscribers and to public schools and libraries in south Mississippi.
Copies are available through the Center for Oral History and Cultural
Heritage and through the Center for the Study of Southern Culture.
ORDERING
INFO
Piney
Woods Regional Folklife Survey
Since 1998, we have been working on a two-year,
multistate project called the Piney Woods Regional Folklife Survey.
This collaborative project brings together four folk arts organizations
from three states--Mississippi, Alabama and Louisiana--to collaborate
on documenting and presenting Piney Woods culture across state
boundaries. We are working with the Mississippi Arts Commission,
Louisiana's Division of the Arts, the Alabama State Council on
the Arts, and the Alabama Center for Traditional Culture to build
upon existing documentation in these states and provide a more
comprehensive view of Piney Woods folklife. The survey project
takes a broad, regional approach that is particularly appropriate
to the documentation of a culture that itself transcends state
boundaries. It is also intended to develop a model for interstate
cooperation and networking in documenting and presenting regional
folk arts.
The project began in February of 1998 with
a project planning meeting of folklorists, folk artists, educators,
and other community members from the three states. Experienced
fieldworkers were contracted for a total of 150 days of field
research in Louisiana's Florida Parishes, south Mississippi, and
Alabama. Most fieldworkers were employed in other positions and
so could only undertake relatively short projects, from three
to twenty-five days of work. Fieldwork began a little more than
a year ago and is scheduled to be completed by the end of August
of 1999.
So far, more than a hundred individuals
and events have been documented. Topics include regional music
traditions (blues, gospel, bluegrass, and old-time fiddling),
foodways, hunting, dairy farming, the timber industry, fa sol
la (shape note) singing, family reunions, and crafts such
as quilting, woodworking, and saddle making. Because we planned
to create a exhibit focusing on community celebrations from the
field research, fieldworkers also documented a number of fairs,
festivals, and other events--football games, chicken pie contests,
and fire station jam sessions. Another priority was to discover
more about the region's lesser-known ethnic and religious groups.
Fieldworkers interviewed members of Alabama's Mowa Band of Choctaw
and the Poarch Creek; Creoles in Lacombe and Ponchatoula, Louisiana;
and members of Louisiana's Hungarian American community, for example.
A list of interviews completed as of July 1, 1999 can be found
under Pine Hills
Culture Program Interview Index.
Piney
Woods Celebrations Exhibit
Piney Woods Celebrations is a traveling
exhibit based on Piney Woods Regional Folklife Survey interviews
and photographs. Photographs and text depict a few of the many
kinds of events that bring people and communities together in
the region: holidays such as Juneteenth and the Fourth of July,
gospel sings, powwows, rodeos, family reunions, high school football
games, and hunting clubs, for example.
The exhibit was designed by award-winning
designer Cavett Taff and built by Exhibits, Etc.. Forty-four color
and black-and-white photographs, a map of the region, and seven
text panels are printed on doublesided formica panels, which are
framed in pine to form a free standing exhibit. Panels are anchored
by a small church pew and barbecue pit, and CD player in the barbecue
pit plays music and oral history excerpts.
Piney Woods Celebrations opened at the
1999 New Orleans Jazz and Heritage Festival (April 23 through
May 2.) Next it visited the Mississippi Heritage Festival at the
Jackson Zoo (May 29 and 30.) In September, it will be featured
at the Louisiana Folklife Festival in Monroe (September 11 and
12.) Piney Woods Celebrations is also scheduled for the
Clark Hall Gallery at Southeastern Louisiana University in Hammond;
the Monroe County Heritage Museums in Alabama; the Crosby Arboretum
in Picayune, Mississippi; and the Library of Hattiesburg, Petal,
and Forrest County.
For more information on the exhibit's schedule,
exhibit text and sample photographs, please see Piney
Woods Celebrations.
Future
Projects
Other projects in planning include a series
of three- or four-minute radio spots on regional folklife. Each
will spotlight a different aspect or genre of Piney Woods folk
culture, featuring the voices of people carrying on these traditional
arts. We also are compiling articles on Piney Woods folklife many
written by fieldworkers for the regional folklife survey) that
will be available on this web site as a resource on regional culture.
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