The students who make up the oboe studio at Southern Miss are enthusiastic and dedicated
to their pursuit of musical excellence. We work hard in an atmosphere of creative
pursuit of students' individual goals while supporting and encouraging each other.
For oboists of all levels, the program is focused around a firm grounding of the fundamentals:
- tone production
- finger agility
- expressive musical phrasing
These fundamentals are refined through the practice of long-tones, technique methods,
memorized scales, articulation exercises, Barret and Ferling etudes, orchestral excerpts,
solo repertoire, and reed-making.
- Category 5
- Magnolia Reed Trio
- Driftless Winds Reed Trio
The School of Music provides oboists with many opportunities to flourish into sophisticated
players of the oboe and English horn. Opportunities for performing chamber music are
available, and students can also audition to perform in the larger award-winning ensembles.
Every year, students in the oboe studio have the opportunity to work with world-class
guest artists in master classes.
- Recitals and master classes at Georgia State University, Central Michigan University,
and Arkansas State University (Fall 2018)
- Benefit Concert to support the Eagle’s Nest Food Pantry (November 2018)
- Feeling Back: A lecture recital with Ed Hafer and Ellen Elder (September 2018)
- University of Tennessee Contemporary Music Festival (October 2018)
- Chamber music recital for oboe, clarinet, and viola with Hsiaopei Lee and Jackie McIlwain
at the USM Viola Festival (November 2018)
Alumni of the Southern Miss oboe studio have successfully auditioned for and continued
their musical studies at esteemed schools of music and conservatories across the nation.
Here are some recent alumni accomplishments:
- Andrea Silverio (BM) is currently pursuing her doctorate in oboe at Michigan State University
- Emily Matherne (BME) is teaching elementary school music at Poplarville Lower Elementary School
- Scott Smith (DMA) Presented a lecture at The Society for American Music conference titled: “John
Cage’s ‘Rock’ Music: and Compositional Process in Ryoanji (1983–85)” in 2017